Acta Univ. Sapientiae, Film and Media Studies, 26 (2024) 151–171
Abstract. The paper studies cinematic ekphrasis, the representation of film in another medium, and the practice of media transformation. It analyses how lost films are represented and their media characteristics are transmediated in fiction. The article starts with building the connection between ekphrasis and two types of media transformation, media representation and transmediation of media characteristics. It presents an overview of lost films as a subcategory of the film medium drawing on their uncanny characteristics. The argumentation proceeds with the analysis of Jonathan Coe’s novel The House of Sleep (2014), focusing on the ways the cinematic ekphrasis of lost films operates. The paper draws a conclusion on the uncanny effect of cinematic ekphrasis of lost films and the interrelatedness of media representation and transmediation of media characteristics in its practices.
Keywords: cinematic ekphrasis, lost film, representation, transmediation, media characteristics.
SAPIENTIA HUNGARIAN UNIVERSITY OF TRANSYLVANIA
The Sapientia Hungarian University of Transylvania is the independent university of the Hungarian community in Romania, which aims at providing education to the members of our community and performing scientific research on a high professional level.
Sapientia Hungarian University of Transylvania,
Scientia Publishing House
Acta Universitatis Sapientiae
RO 400112 Cluj-Napoca, Romania
Str. Matei Corvin nr. 4.
Email: acta @ acta.sapientia.ro
