The Power of Close-ups and the Poetics of Silence: The House is Black by Forough Farrokhzad - Acta Universitatis Sapientiae

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Volume 23, 2023 – Participatory Film, Ethical Proximity, and Mediated Immersion
The Power of Close-ups and the Poetics of Silence: The House is Black by Forough Farrokhzad
Mona Monsefi

Acta Univ. Sapientiae, Film and Media Studies, 23 (2023) 144–159

DOI: https://doi.org/10.2478/ausfm-2023-0008

Abstract: The House is Black is a lyrical documentary by a modernist Iranian poet and filmmaker, Forough Farrokhzad. It is a kind of symbolic visual poem about leper patients of a leprosarium in Iran made in 1962, which transcends time and place. This paper describes the ways in which the emphasis on the human body, references to historical and religious sources, and the use of the Biblical verses replace conventional interviews to create a narrative in the film. Utilizing Gilles Deleuze’s concept of affect, the paper analyses the camera’s focus on hands and feet, in contrast to absent facial expressions, which engages the audience.


Keywords: Forough Farrokhzad, Gilles Deleuze, documentary, human body, Biblical poetry.

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