Crisis Narrative and Affective Intermediality: Figuring Disaster in Michael Haneke’s Time of the Wolf - Acta Universitatis Sapientiae

Series Film and Media Studies Issues Volume 22, 2022 – Crisis Narratives in World Cinema: Visions of Violence, Spectres, and Desires Crisis Narrative and Affective Intermediality: Figuring Disaster in Michael Haneke’s Time of the Wolf

Volume 22, 2022 – Crisis Narratives in World Cinema: Visions of Violence, Spectres, and Desires

Crisis Narrative and Affective Intermediality: Figuring Disaster in Michael Haneke’s Time of the Wolf

Judit Pieldner

Acta Univ. Sapientiae, Film and Media Studies, 22 (2022) 18–38

DOI: https://doi.org/10.2478/ausfm-2022-0010

Full text in PDF

Volume 22, 2022 – Crisis Narratives in World Cinema: Visions of Violence, Spectres, and Desires

The Flagrance of the Sacred. Notes on the Miraculous Event in Ordet by Carl Theodor Dreyer, Fabio Pezzetti Tonion Crisis Narrative and Affective Intermediality: Figuring Disaster in Michael Haneke’s Time of the Wolf, Judit Pieldner Cinema from the End of Time: Malmkrog by Cristi Puiu and Vladimir Solovyov, Christina Stojanova The Aesthetics of the Spectral and the Permanent Crisis in Tsai Ming-liang’s Art, Csilla Markója They Live: Violence, Horror and Spectres in Four Contemporary Argentine Films, Natalia Christofoletti Barrenha Between Troubles and Peace in Northern Ireland: Cinematic Divisions in Kenneth Branagh’s Belfast (2021) and Terry Loane’s Mickybo and Me (2004), Andreea Paris-Popa A Metamodernist Utopia: The Neo-Romantic Sense and Sensibility of the Bridgerton Series, Anamarija Šporčič The Goddess, Daenerys Targaryen and Me Too Values, Sharon Khalifa-Gueta Front pages in PDF, Inside covers in PDF,

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