See, Seeing, Seen, Saw: A Phenomenology of Ultra-Violent Cinema - Acta Universitatis Sapientiae

Series Film and Media Studies Issues Volume 8, 2014 – The Cinema of Sensations II. See, Seeing, Seen, Saw: A Phenomenology of Ultra-Violent Cinema

Volume 8, 2014 – The Cinema of Sensations II.

See, Seeing, Seen, Saw: A Phenomenology of Ultra-Violent Cinema

Sarah Downes

Acta Universitatis Sapientiae, Film and Media Studies, 8 (2014) 129−148

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Volume 8, 2014 – The Cinema of Sensations II.

Frames, Winmdows, and Mirrors. Sensing Still Bodies in Films by Manoel de Oliveira , Hajnal Király 'Own Deaths' − Figures of the Sensable in Péter Nádas's Book ans Péter Fogács's Film , Katalin Sándor The Sensation of Time in Ingmar Bergman's Poetics of Bodies and Minds , Fabio Pezzetti Tonion Remediating Past Images. The Temporality of "Found Footage" in Gábor Bódy's American Torso , Judit Pieldner 'Crows' vs. 'Avatar' or: 3D vs. Total-Dimension Immerson , José Manuel Martins Harmony of Senses − 3D Documentaries of Herzog and Wenders , Katalin Turnacker An Olfactory Cinema: Smelling Perfume , Sim Jiaying See, Seeing, Seen, Saw: A Phenomenology of Ultra-Violent Cinema , Sarah Downes Embodied Genetics in Science-Fiction, Big-Budget to Low-Budget Jeunet's Alien: Resurrection (1997) to Piccinini's Workshop (2011) , Andrea Virginás Quasi-Bodies and Kafka's Castle in Sion Sono's Crime Noir Guilty of Romance (2011) , Chia-wen Kuo (Veronique Kwak) Sensations of the Past: Identity, Empowerment, and the British Monarchy Films , Zsolt Győri Local Sensorium, Local Cinema: György Pálfi's Sensuous Body Politics , György Kalmár Inside covers in PDF, Front pages in PDF,

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