True and False. New Realities in the Films of Wes Anderson, Spike Jonze and Charlie Kaufman - Acta Universitatis Sapientiae

Series Film and Media Studies Issues Volume 3, 2010 – New Waves True and False. New Realities in the Films of Wes Anderson, Spike Jonze and Charlie Kaufman

Volume 3, 2010 – New Waves

True and False. New Realities in the Films of Wes Anderson, Spike Jonze and Charlie Kaufman

André Crous

Acta Universitatis Sapientiae, Film and Media Studies, 3 (2010) 121−131

Full text in PDF

Volume 3, 2010 – New Waves

New and Novelty in Contemporary Media Cultures, Yvonne Spielmann The Grammar of the New Romanian Cinema, Doru Pop Hélas pour Nouvelle Vague, Marco Grosoli Birth (of the Image) of a Nation: Jean-Luc Godard in Mozambique, Daniel Fairfax Intermediality as Metalepsis in the "Cinécriture" of Agnes Varda, Ágnes Pethő Moral Tales from Korea. Hong Sang-Soo and Eric Rohmer, Marco Grosoli The French New Wave and the New Hollywood: Le Samourai and its American legacy, Jacqui Miller True and False. New Realities in the Films of Wes Anderson, Spike Jonze and Charlie Kaufman, André Crous Abbas Kiarostami and a New Wave of the Spectator, Hajnal Király A "Nouvelle Vague Allemande"? Thomas Arslan's films in the context of the Berlin School, Thomas Schick The Berliner Schule as a Recent New Wave in German Cinema, Maria Vinogradova Waves of Memory: Cinema, Trauerarbeit and the Third Reich, Zsolt Győri Inside covers in PDF, Front pages in PDF,

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