Velázquez, Wagner and the Red Skull. Intermediality and the Genesis of Meaning in a Particular Scene of Captain America: The First Avenger - Acta Universitatis Sapientiae

Series Film and Media Studies Issues Volume 19, 2021 – The Picturesque: Visual Pleasure and Intermediality Velázquez, Wagner and the Red Skull. Intermediality and the Genesis of Meaning in a Particular Scene of Captain America: The First Avenger

Volume 19, 2021 – The Picturesque: Visual Pleasure and Intermediality

Velázquez, Wagner and the Red Skull. Intermediality and the Genesis of Meaning in a Particular Scene of Captain America: The First Avenger

Dániel Nagy

Acta Universitatis Sapientiae, Film and Media Studies, 19 (2021) 117−131

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Volume 19, 2021 – The Picturesque: Visual Pleasure and Intermediality

Screening Landscapes: Film between the Picturesque and the Painterly , Steven Jacobs "Show the Clichés": the Appearance of Happiness in Agnès Varda's Le Bonheur, Susan Felleman Screens of the Picturesque: Aesthetics, Technology, Economy , György Fogarasi Picturesque Pictures: Italian Early Non-fition Films within Modern Aesthetic Visions, Ivo Blom Voiceless Screams: Pictorialism as Narrative Strategy in Horror Silent Cinema, Delia Enyedi Images in Suspension: Tableaux Vivants, Gesturality and Simulacra in Raul Ruiz's fim The Hypothesis of the Stolen Painting, Ioannis Paraskevopoulos Decoding Tableaux Vivants: the Metareferential Potential of Painterly References in Cinema, Cristian Eduard Drăgan Velázquez, Wagner and the Red Skull. Intermediality and the Genesis of Meaning in a Particular Scene of Captain America: The First Avenger, Dániel Nagy The Tableau Vivant and Social Media Culture, Maria Männig Ephemeral Social Media Visuals and Their Picturesque Design: Interaction and User Experience in Instagram Stories, Balca Arda Inside covers in PDF, Front pages in PDF,

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