The Impression of Reality and the Awareness of the Medium in Alexander Sokurov's Family Trilogy - Acta Universitatis Sapientiae

Series Film and Media Studies Issues Volume 12, 2016 – The Real and the Intermedial The Impression of Reality and the Awareness of the Medium in Alexander Sokurov's Family Trilogy

Volume 12, 2016 – The Real and the Intermedial

The Impression of Reality and the Awareness of the Medium in Alexander Sokurov's Family Trilogy

Malgorzata Bugaj

Acta Universitatis Sapientiae, Film and Media Studies, 12 (2016) 7−25

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Volume 12, 2016 – The Real and the Intermedial

The Impression of Reality and the Awareness of the Medium in Alexander Sokurov's Family Trilogy , Malgorzata Bugaj Pictorial Real, Historical Intermedial. Digital Aesthetics and the Representation of History in Eric Rohmer's The Lady and the Duke , Giacomo Tagliani The Polaroid and the Cross. Media-Reflxivity and Allegorical Figurations in Lucian Pintilie's The Oak (1992) , Katalin Sándor Looking West: Understanding Socio-Political Allegories and Art References in Contemporary Romanian Cinema , Hajnal Király Magic Realism, Minimalist Realism and the Figuration of the Tableau in Contemporary Hungarian and Romanian Cinema , Judit Pieldner Art and Reality in The Arbor (2010) , Cecília Mello When the Copywriter is the Protagonist. History and Intermediality in Pablo Larraín's No (2012) , Francesco Zucconi Accommodating the Mess: The Politics of Appropriation in It for Others (2013) , Paula Blair Media-Morphosis. Intermediality, (Re-)Animation and the Medial Uncanny in Tsukamoto Shinya's Tetsuo: The Iron Man (1989) , Mark Player Indexicality or Technological Intermediate? Moving Image Representation, Materiality, and the Real , James Verdon Inside covers in PDF, Front pages in PDF,

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